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♀ Feminist Friday ♀ Penthesilea Penthesilea was an Amazoni..

gynarchygoddess post ♀ Feminist Friday ♀

Penthesilea

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♀ Feminist Friday ♀ Penthesilea Penthesilea was an Amazonian Queen from Greek mythology. She was the daughter of Ares and Otrera and the sister of Hippolyta, Antiope and Melanippe. One of many famous Amazonian Queens, Penthisilea’s story is one of fierce dedication to being a warrior, and a tragic death at the hands of Achilles. As an Amazon, Penthesilea was a member of a legendary race of warrior women. The Amazon women were so dedicated to being warriors, that they were known to cut off one of their breasts so that they would be better able to wield a bow. Whether this is true or not is debatable. Penthesilea was highly skilled with weapons, she was very wise, and she was beautiful. It has been said that she invented the battle-axe. While hunting one day, Penthesilea accidentally killed her sister Hippolyta with a spear. This caused Penthesilea a great deal of grief, and led her to wish for death. However, as a warrior, and an Amazon, she could only die honorably and during battle. Penthesilea’s reign as queen was during the years of the Trojan War. The Amazons did not take a particular side in the war, and Penthesiliea made an effort to stay away from the conflict for the most part. However, when Achilles killed the Trojan prince, Hector, and upon the accidental killing of her sister, Penthesilea decided that it was time for the Amazons to intervene, so the Amazons moved in on Troy. During the war, Penthesilea was not a queen who sat by and watched the men fight. She was a warrior in the truest sense. It is said that she blazed through the Greeks like lightning, killing many. It is written that she was swift and brave, and fought as valiantly and successfully as the men. She wanted to prove that the Amazons were great warriors. She wanted to kill Achilles to avenge the death of Hector, and she wanted to die in battle. Although Penthesilea was a ferocious warrior, her life came to an end, at the hands of Achilles. Achilles had seen her battling others, and was enamored with her ferocity and strength. As he fought, he worked his way towards her, like a moth drawn to a flame. While he was drawn to her with the intention of facing her as an opponent, he fell in love with her upon facing her. However, it was too late. Achilles defeated Penthesilea, catching her as she fell to the ground. Greek warrior Thersites mocked Achilles for his treatment of Penthesilea’s body after her death. It is also said that Thersites removed Penthesilea’s eyes with his sword. This enraged Achilles, and he slaughtered Thersites. Upon Thersites’ death, a sacred feud was fought. Diomedes, Thersite’s cousin, retrieved Penthesilea’s corpse, dragged it behind his chariot, and cast it into the river. Achilles retrieved the body, and gave her a proper burial. In some stories, Achilles is accused of engaging in sex with her body. In other legends, it is said that Penthesilea bore Achilles a son after her death. Penthesilea’s story is not told in the Iliad. The Iliad ends with Hector’s funeral, before the Amazons had arrived to avenge his death. Her story is told in the lost epic Aethiopis. Penthesilea’s life and death were tragic. She is portrayed as a brave and fierce warrior who was deeply affected by the accidental death of her sister. This grief, compounded with her desire to be a strong warrior who would die an honorable death on the battlefield, led her to Troy, where her tragic death weakened Troy, but also led to unrest in the Greek camps due to her death’s impact on Achilles and his revengeful acts. In the end, she died the ‘honorable’ death on the battlefield that she had longed for, at the hands of the legendary Achilles, no less.

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Another look from yesterday’s filming

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Filming today! #PVC

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♀ Feminist Friday ♀ Christine de Pisan Christine de Pisan..

gynarchygoddess post ♀ Feminist Friday ♀

Christine de Pisan


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♀ Feminist Friday ♀ Christine de Pisan Christine de Pisan (ca. 1365–1429) was perhaps the most articulate and prolific female voice of the European Middle Ages. Being widowed at the age of 25 without an inheritance and with three children, she was obliged to earn her living as a writer. She was commissioned as biographer of Charles V. Her patrons included King Charles VI of France, King Charles of Navarre, and two dukes of Burgundy. Her publications, which were translated into English, Italian, and other languages, included Epistle of the God of Love (1399), where she impugned the misogynistic portrayals of women and the dearth of morality in the popular French work Roman de la Rose, an allegorical love poem written by Guillaume de Lorris and expanded by Jean de Meung. The controversial quarrel surrounding these texts was known as the Querelle de la Rose, with Christine and Jean Gerson, chancellor of the University of Paris, allied against the esteemed humanist royal secretaries Jean de Montreuil and Pierre Col. In a further work, Christine’s Vision (1405), she complained against her fortune as a female writer and scholar burdened by the conventional obligations of womanhood. Another work produced in the same year, Livre des Trois Vertus (Book of Three Virtues), concerns the status and role of women in society. Her most renowned work was The Book of the City of Ladies (1405), which was influenced by Boccaccio’s Concerning Famous Women (1361), as well as by the linguistic and allegorical theories of Quintilian, Augustine (to whose book City of God Christine’s title alludes), Hugh of St. Victor, and Dante. Almost uniquely among women of her time, Christine was enabled to obtain a fine education through her family’s connections to the royal court; her father, Tommaso di Benvenuto da Pizzano, was appointed court astrologer by Charles V, and her reading may well have included Ovid, Boethius, and John of Salisbury, as well as the figures mentioned above.1 Christine also published a poem on Joan of Arc, Ditie de la pucelle (1429). De Pisan ranks among the most important intellectuals of her day and certainly the most noted woman writer of the medieval period. In her philosophical writings and commentaries she was resolute in her support of a woman's right to pursue education and attain prominence within society in relation to her accomplishments. Her many poems, essays, and books, widely distributed and read during her lifetime, have influenced readers throughout Europe and Britain through the many translated editions that have since been produced. Among her most notable works in defense of women's role in medieval European society, de Pisan's La cité de dames recounts for readers the accomplishes of women from history, providing medieval men and women with a sense of the possibilities that can be attained by women when allowed education and social freedoms. An Education At Court Born in Venice in 1363, de Pisan was the daughter of Italian scholar Tommaso di Benvenuto da Pizzano, a highly educated man who had been appointed astrologer to the court of Charles V of France. In 1369 the five-year-old de Pisan traveled from Venice to the French court, where she was educated by her father in such academic subjects as literature, Greek, and Latin, as well as becoming schooled in the habits of the French court. Because of her father's many intellectual interests, the y oung de Pisan had full run of a vast family library that included books on not only literature, history, classics, and astrology, but also scientific advancements, religion, and works engaged in the philosophical arguments underway in France at the time. In 1380, the same year France's King Charles V died, fifteen-year-old de Pisan married Étienne du Castel, a 24-year-old notary and member of the French court who had been reared in Picardy. The couple, who had three children, enjoyed a relationship in which mutual respect played a large part; Castel encouraged his y oung wife's intelligence and penchant for poetry and self-expression, while she appreciated his gentle demeanor and loyalty. Tragically, during a wave of bubonic plague that was then ravaging Europe, in 1389 Castel died while on a trip to Beauvais with the king, leaving twenty-five-year-old de Pisan to raise her daughter and two sons on her own. Unfortunately, de Pisan's responsibilities did not end there: she also had to shoulder her husband's financial debts, which were the subject of a prolonged dispute, as well as support her now-widowed and debt-ridden mother and a niece. Because her father's death in 1386 had severed family ties to the new French monarch, King Charles VI, there was little family support to draw on. Although English monarch Henry IV and Milanese ruler Galeazzo Visconti both offered de Pisan a place within their courts, the poetess had no wish to leave her beloved France. Instead, she decided to rely on her wit, her intelligence, and her love of words and write poetry, becoming in the process one of France's first professional writers. Patronage Fortunately for de Pisan, many in positions of power knew of and respected her talents, and she was able to gain the patronage of the French queen, Isabella of Bavaria, and several nobles, among them the earl of Salisbury and Philip the Bold, duke of Burgundy, which enabled her to support her family. For Philip—who was rearing her eldest son as his own offspring—she penned the moral guidebook Le livre des faitz et bonnes moeurs du Saige Roy Charles. This work, while appropriate for its time, did not prove as useful to subsequent generations due to its overt moralizing and intricate style. More popular was her Le livre de paix, which discusses the proper manner in which princes should be educated. The medieval view of society was that, rather than upward mobility, people were born into a particular station, and their duty was to fulfill the duties that particular station required. De Pisan believed in an orderly society and, unlike the vision Italian political philosopher Niccolò Machiavelli would put forth in The Prince a century later, argued that men of power—particularly princes—have an obligation to lead an honest and moral life, support the Catholic Church, and otherwise maintain the status quo. Other long writings include a biography of Charles V published in Paris in 1404 as Le livre des faicts et bonnes meurs du sage roi Charles V. During her lifetime, de Pisan gained renown throughout Europe and England for her writings in verse, such as the long poem "Le livre des mutations de Fortune," "Le chemin de longue etude," and "Le livre des cent histoires de Troie." Intricate, heavily stylized, and verbose, these longer works were eclipsed in popularity by the many shorter poems, ballads, and rondeaux she penned during her early career, most between 1393 and 1400. Expressing her emotions—particularly the sadness, uncertainty, and desolation she endured after her beloved husband's death—many of de Pisan's shorter works have been republished for successive generations of new readers in the centuries following her death. In the longer, more broadly focused verses de Pisan wrote during her writing life, she gained in sophistication where she lost in popular appeal. She experimented with literary themes and style, creating multi-layered poems with meanings often obscure to a reader unschooled in the social milieu and intellectual issues of her day. Pisan's prose is not for the general reader; it is stylistically intricate, intellectually challenging, and reflects her wide-ranging knowledge and interests. In contrast, her prose histories, her biography of Charles V, and her political essays have been praised by generations of critics. Among her contemporaries, de Pisan was often compared to the classical authors Virgil, Cicero, and Cato due to her technical ability and the intelligence that is revealed throughout her body of work. In the eyes of modern feminist scholars, de Pisan is most remembered for her Trésor de la cité des dames, published in 1405 and translated into English by London publisher Wynkyn de Word as The City of Ladies. La cité des dames has preserved for modern readers and historians the life story of a number of women from both history and mythology; for de Pisan's contemporaries it provided women with inspiration. In this work she also examines the source of women's diminished social status and includes advice for readers regarding how to improve education and social standing. Now considered one of the foundational works of feminist literature, the book has served as a source for all those who would argue that women deserved the same right to educational opportunities as men because they were capable of attaining similar accomplishments. For some, her argument that women were socially and intellectually the equals of men was seen as a threat, and efforts—eventually discredited—were made to show that La cité des dames was a plagiarized rewrite of an earlier work by Italian writer Giovanni Boccaccio titled De claris mulieribus. (cont.)

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♀ Feminist Friday ♀ Christine De Pisan - Continued De Pisa..

♀ Feminist Friday ♀ Christine De Pisan - Continued De Pisan's 1405 work, Le livre du trèsor de la citéde dames—translated as The Treasure of the City of Ladies; or, The Book of Three Virtues—continues her arguments on behalf of the gentler sex. In this work she takes her argument to her own age, laying forth what she sees as three basic classes of women: noble and aristocratic women, women of the court and lesser nobility, and women of the growing merchant and artisan classes. Common women were not included because their lack of basic literacy excluded them from the reading public. It is all women's right, she argues, to obtain schooling sufficient to allow them to use their natural talents to benefit themselves and society, and especially to become educated, sophisticated citizens able to recognize corruption among political figures. In the prologue to Le livre du trèsor de la cité de dames she wrote: "If it were customary to send little girls

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A big thank you to all 224 subscribers. You are all very ver..

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Armpit Worship What is it about a woman's armpit that b..

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♀ Feminist Friday ♀ Cleopatra Cleopatra VII ruled ancient ..

gynarchygoddess post ♀ Feminist Friday ♀

Cleopatra

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♀ Feminist Friday ♀ Cleopatra Cleopatra VII ruled ancient Egypt as co-regent (first with her father, then with her two younger brothers and finally with her son) for almost three decades. She was part of a dynasty of Macedonian rulers founded by Ptolemy, who served as general under Alexander the Great during his conquest of Egypt in 332 B.C. Well-educated and clever, Cleopatra could speak various languages and served as the dominant ruler in all three of her co-regencies. Her romantic liaisons and military alliances with the Roman leaders Julius Caesar and Mark Antony, as well as her supposed exotic beauty and powers of seduction, earned her an enduring place in history and popular myth. Since no contemporary accounts exist of Cleopatra’s life, it is difficult to piece together her biography with much certainty. Much of what is known about her life comes from the work of Greco-Roman scholars, particularly Plutarch. Born in 70 or 69 B.C., Cleopatra was a daughter of Ptolemy XII (Auletes), a descendant of Ptolemy I Soter, one of Alexander The Great’s generals and the founder of the Ptolemaic line in Egypt. Her mother was believed to be Cleopatra V Tryphaena, the king’s wife (and possibly his half-sister). In 51 B.C., upon the apparently natural death of Auletes, the Egyptian throne passed to 18-year-old Cleopatra and her 10-year-old brother, Ptolemy XIII. Soon after the siblings’ ascension to the throne, Ptolemy’s advisers acted against Cleopatra, who was made to flee Egypt for Syria in 49 B.C. She raised an army of mercenaries and returned the following year to face her brother’s army in a civil war at Pelusium, on Egypt’s eastern border. Meanwhile, after allowing the Roman general Pompey to be murdered, Ptolemy XIII welcomed the arrival of Pompey’s rival, Julius Caesar, to Alexandria. In order to help her cause, Cleopatra sought Caesar’s support, reportedly smuggling herself into the royal palace to plead her case with him. For his part, Caesar needed to fund his own return to power in Rome, and needed Egypt to repay the debts incurred by Auletes. After four months of war between Caesar’s outnumbered forces and those of Ptolemy XIII, Roman reinforcements arrived; Ptolemy was made to flee Alexandria, and was believed to have drowned in the Nile River. Entering Alexandria as an unpopular conqueror, Caesar restored the throne to the equally unpopular Cleopatra and her younger brother Ptolemy XIV (then 13 years old). Caesar remained in Egypt with Cleopatra for a time, and around 47 B.C. she gave birth to a son, Ptolemy Caesar. He was believed to be Caesar’s c hild, and was known by the Egyptian people as Caesarion, or Little Caesar. Sometime in 46-45 B.C., Cleopatra traveled with Ptolemy XIV and Caesarion to Rome to visit Caesar, who had returned earlier. After Caesar was murdered in March 44 B.C., Cleopatra went back to Egypt; Ptolemy XIV was killed soon after (possibly by Cleopatra’s agents) and the three-year-old Caesarion was named co-regent with his mother, as Ptolemy XV. By this point, Cleopatra had strongly identified herself with the goddess Isis, the sister-wife of Osiris and mother of Horus. (This was consistent with the ancient Egyptian tradition of associating royalty with divinity in order to reinforce the position of kings and queens. Cleopatra III had also claimed to be associated with Isis, and Cleopatra VII was referred to as the “New Isis.”) She spoke as many as a dozen languages and was renowned for her “irresistible charm,” according to Plutarch. With her infant son as co-regent, Cleopatra’s hold on power in Egypt was more secure than it had ever been. Still, unreliable flooding of the Nile resulted in failing crops, leading to inflation and hunger. Meanwhile, a conflict was raging in Rome between a second triumvirate of Caesar’s allies (Mark Antony, Octavian and Lepidus) and his assassins, Brutus and Cassius. Both sides asked for Egyptian support, and after some stalling Cleopatra sent four Roman legions stationed in Egypt by Caesar to support the triumvirate. In 42 B.C., after defeating the army of Brutus and Cassius in the battles of Philippi, Mark Antony and Octavian divided power in Rome. Mark Antony soon summoned Cleopatra to the Cicilian city of Tarsus (south of modern Turkey) to explain the role she had played in the complicated aftermath of Caesar’s assassination. According to the story recorded by Plutarch (and later dramatized famously by William Shakespeare), Cleopatra sailed to Tarsus in an elaborate ship, dressed in the robes of Isis. Antony, who associated himself with the Greek deity Dionysus, was seduced by her charms. He agreed to protect Egypt and Cleopatra’s crown, pledging support for the removal of her younger sister and rival Arsinoe, then in exile. Cleopatra returned to Egypt, followed shortly thereafter by Antony, who left behind his third wife, Fulvia, and their children in Rome. He spent the winter of 41-40 B.C. in Alexandria, during which he and Cleopatra famously formed a society called “The Inimitable Livers.” In 40 B.C., after Antony’s return to Rome, Cleopatra gave birth to twins, Alexander Helios (sun) and Cleopatra Selene (moon). After Fulvia took ill and died, Antony was made to prove his loyalty to Octavian by making a diplomatic marriage with Octavian’s half-sister Octavia. Egypt grew more prosperous under Cleopatra’s rule, and in 37 B.C. Antony again met with Cleopatra to obtain funds for his long-delayed military campaign against the kingdom of Parthia. In exchange, he agreed to return much of Egypt’s eastern empire, including Cyprus, Crete, Cyrenaica (Libya), Jericho and large portions of Syria and Lebanon. They again became lovers, and Cleopatra gave birth to another son, Ptolemy Philadelphos, in 36 B.C. After a humiliating defeat in Parthia, Antony publicly rejected his wife Octavia’s efforts to rejoin him and instead returned to Egypt and Cleopatra. In a public celebration in 34 B.C. known as the “Donations of Alexandria,” Antony declared Caesarion as Caesar’s son and rightful heir (as opposed to his adopted son, Octavian) and awarded land to each of his children with Cleopatra. This began a war of propaganda between him and the furious Octavian, who claimed that Antony was entirely under Cleopatra’s control and would abandon Rome and found a new capital in Egypt. In late 32 B.C., the Roman Senate stripped Antony of all his titles, and Octavian declared war on Cleopatra. On September 2, 31 B.C., Octavian’s forces soundly defeated those of Antony and Cleopatra in the Battle of Actium. Cleopatra’s ships deserted the battle and fled to Egypt, and Antony soon managed to break away and follow her with a few ships. With Alexandria under attack from Octavian’s forces, Antony heard a rumor that Cleopatra had committed suicide. He fell on his sword, and died just as news arrived that the rumor had been false. On August 12, 30 B.C., after burying Antony and meeting with the victorious Octavian, Cleopatra closed herself in her chamber with two of her female servants. The means of her death is uncertain, but Plutarch and other writers advanced the theory that she used a poisonous snake known as the asp, a symbol of divine royalty, to commit suicide at age 39. According to her wishes, Cleopatra’s body was buried with Antony’s, leaving Octavian (later Emperor Augustus I) to celebrate his conquest of Egypt and his consolidation of power in Rome.

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"Facesitting and Foot Worship" I am bored and so decide to ..

"Facesitting and Foot Worship" I am bored and so decide to take the gardening slave and try to have some fun with him. I entertain myself with his useless body by sitting deep on his face, restricting his breathing and watching his cock twitch incessantly. After an intermission of heel sucking and nylon stocking clad foot worship, it is back to queening the slave once again, this time turning him into the sofa by removing any padding and access to comfort he had before.

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A little teaser of one of the clips I’m editing right now. M..

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